Kolaveri D became one of the most streamed songs of all-time. Kolaveri Di lyrics explained: doveranalyst breaks down Kolaveri D, for you, if you still haven't heard about it.
The broken English can be a little overwhelming for you to understand the depth of the song. So, here it is! Grey marks the lyrics of Kolaveri D and the meaning, analysis, interpretation, however, you wish to call it, is in green.
Hey you boys, I am going to sing a song. It's a soup song. Soup song usually refers to songs dejected lovers sing, of their doom. It is a flop song. As it tells you the story of how I flopped.
Why this kolaveri kolaveri kolaveri di.. Why do you have this Kolaveri murderous rage , girl? Dhanush says 'Maintain please' to his friends, as in to maintain the rhythm. Colour of moon is white. True, the same moon has craters daag, scars , but it still appears desirable as it is far away. Once, he gets her as girlfriend, he will be just as sad. White skin-u girl-u girl-u. Black and White are used in the very traditional sense of the colors in India. Black heart, black money, refer to bad stuff.
Maharashtra state was formed after a violent movement lead by Samyukta Maharashtra Movement in and the Bombay state was partitioned into two parts - the Gujarati speaking parts were merged into the state of Gujarat and the Bombay city and some surrounding area including Thane were merged into the newly found state of Maharashtra.
Bombay Citizens' Committee, an advocacy group comprising of leading Gujarati industrialists lobbied for Bombay's independent status. On May 1, , after a movement for a separate Marathi state turned violent people were killed by police at Flora Fountain which itself got renamed later on at Hutatma Chowk , the State of Bombay was partitioned into the States of Gujarat and Maharashtra.
Maharashtra accounts for He is also the co-founder of Social Media site MetroJoint. Listen to Marathi songs. In presenting to my readers this humble attempt to popularise some of the ballads of the Marathas, it may not be out of place to submit a slight sketch of the early history and the poetic literature of the people whose national energies they commemorate.
The Maratha race has been for centuries, and is still, among the most important of those which inhabit the Indian Peninsula. The three most powerful of the Hindu princes who acknowledge allegiance to the Imperial Crown of Britain, viz. Sindia, Holkar, and the Gaikwar, are Marathas, and their court language is Marathi, though this is not the language of the countries over which they rule. But every one of. The same is the case with the princely house of Tanjore. The Maratha ditch at Calcutta testifies to exploits at a scene even more distant from Maharashtra, and on the fatal day of Paniput the Maratha armies upheld the cause of India against the Afghan invader fifty miles to the northward of Delhi, the capital of the Great Mogul.
The British dominion, quelling all internal aggression by a might too great to be contested, has left no opportunity of judging whether the flood-tide of Maratha success would ever have ebbed back into its ancient boundaries, or even have been there overwhelmed by the waves of a newer and more vigorous race of Asiatic conquerors; but during the years when India was 'becoming red,' the Marathas were probably still the most powerful political integer within it, and if the British flag were withdrawn again into the ocean, and if an impossible ' if no other European power intruded, I at least believe that once again, from the Punjab to Cape Comorin, princes and people would listen to the thundering tramp of the Maratha horsemen.
The Marathas claim to be the people of the Maharashtra, or great nation. There has been much speculation as to the origin of the word Maratha. I believe the word Rathod is in fact derived from nearly the same source as the word Maratha, that is, from the word Ratta, or Rathakuda. Some deduce Maratha from Maharashtra, and some from the word Marahatta; others hold it to be a corruption of the word Maharatha, or Maha-ratta.
Bhandarkar, in his history of the Deccan, observes that from cave inscriptions it is apparent that from early times tribes of Kshatriyas or Warriors, calling themselves Bhojas or Rathis, were predominant in the country, and that, in the northern part of the Deccan or Maharashtra, they called themselves Maharathis or Great Rathis, but that in other places the name in use must have been Rathis or Rathas.
That the name Ratha, or rather Ratta, was common in the Southern Maratha country, is made clear from the interesting account of old inscriptions relating to the Ratta chieftains of Belgaum and Saundatti published by Mr. Fleet, CLE. Society, x. In ancient copper-plate grants, as well as inscriptions, we often meet the word Maharatha, and I am inclined to think that the derivation from Maha-ratta is correct. A race is sometimes named after a country, sometimes a country after a race.
The Sassenachs of Scotland are called Scotch because they live in Scotland, though they have no affinity to the race which has given its name to the country.
England is called England after the Angles or English, who were by no means the most important section of the Danish or Low Dutch invaders. I think it probable that the name Maharashtra was derived or Sanskritised from the word Maharatta, that is, a race of Maharathas or great warriors, and not that the word Maratha comes by the inverse process from Maharashtra.
The best proof of this is that the land of the Marathas is known in their early Puranas as Dakshinapatha or Dandakaranya, and not Maharashtra. At any rate, whether the word Maratha is derived from Maha-rathod, Mara-hatta, Maha-rashtra, or Maharatha, there is little doubt that it is meant to signify a race brave and hardy, and probably pugnacious.
The earliest mention of the word Maharatta that I know of is in connection with a deputation of missionaries to various countries by King Ashoka to propagate the faith of Gautama Buddha. Little or nothing is known of the history of the Marathas before the Christian era.
In the first century of the Christian era they rose to prominence under their King Shalivahana. The dialectic differences within the Marathi area are comparatively small, and there is only one real dialect, viz. There are, of course, dialects, everywhere local varieties, and these are usually honoured by a separate name. On the whole, however, Marathi is a remarkably uniform language. Three slightly different forms may conveniently be distinguished, the Marathi of the Deccan, the Marathi of Berar and the Central Provinces, and the Marathi of the Central and Northern Konkan.
The last two forms of the language have some characteristics in common, and these are also shared by the rustic dialects of the Dekhan, such as the form of speech current among the Kunbis of Poona. In the southern part of the district of Batnagiri the Konkan form of Marathi gradually merges into Konkani, through several minor dialects. In the northern part of the coast strip belonging to Marathi we find some smaller dialects, such as Kathodi, Varli, Vadval, Phudgi, and Samvedi.
The Khandesi dialect of Khandesh, which has hitherto been classed with Marathi, lias in this Survey been transferred to Gujarat. It contains a large admixture of Marathi, but the inner form of the language differs, and its base is a Prakrit dialect more closely related to Sauraseni than to Maharashtri which latter Prakrit is derived from the same base as Modern Marathi.
Further towards the east we find some broken dialects, such as Katiya, Halbi, Bhunjia, Nahari, and Kamari, which have been so largely influenced by Marathi that it has been found convenient to deal with them in this connection, though they are no true Marathi dialects.
The Marathi 'Sangeet Nataks' in Maharashtra was the source of making this silent film. History of the Marathi films starts from silent movies to the recent film technological movies. Period of Silent Movie Marathi movies are the ancient lords of both the Indian cinema and the Pakistani cinema. Dadasaheb Phalke made the first Marathi movie and in fact the first Indian movie during the Pre-independence time.
The great moving pictures came to existence in bondage India and portrayed the great ethical and historical character Raja Harishchandra. Thus, Marathi movies took the first initiative to bring into limelights the morals and principles of ancient India and history.
After the first film, several attempts were made in the Marathi film industry, though there were only a few members, it soon grew to be a big industry in India and in fact, the first film industry in history.
Maratha film industry focused mainly on costumes, sets and painting. They added value to the epic films and created great interest for sets and costumes in people mind. For more than a few years it was only visual because Marathi filmmaker felt that audio might make the visual seem less important and they felt that visual is more than enough to convey any amount of knowledge to people.
Revolution of Audio in Film Industry After the adventure of audio in film industry, several unions rose all over India to start integrating audio in films. Though initially it was estimated that this might reduce the importance of visual; later people understood that audio could add real liveliness to the films created.
The Prabhat film company was long developed and it was one of the few best film companies during that time. It worked in the film Sant Tukaram that won the Best Film Award and his film was the first Indian film to bag this award. The golden era of the Marathi film industry was after all the national awards that it bagged.
Lot of technological advances in the film industry was made after the audio innovation. The Marathi film became greater than all other films because they naturally had music and art in their visualizations and audio.
Marathi folk music is the song of work and joy with many forms like Bhangra, Lavani and Dandiya. Lavani is one of the best Marathi folk music. Though it is said that the improvised musical instruments and the pop music have left the folk music behind several yards, none of this is true. The importance and the popularity of the folk songs have not changed over time and they have proved to have significant growth after several researchers from foreign turned towards Mumbai to analyse their culture and the Marathi folk music.
It became very famous right from the trading age. The porters at the harbour and the people in the rural areas would sing them once in awhile when they feel very tired. This has always amused the foreign travellers. The source of music in Marathi folk music would be sticks or another easily available material that could produce tingling music making people tap their feet. As folk music is mostly the movement or dance inclined, the energy would be two fold than that of the normal music.
Bhavageete : This is a poem written out of emotions, be it love, hatred, anger or slavery. The poem deeply depicts the pain and pleasure of the heart that writes it. It could also be the over-whelming emotions of the mind by looking at the nature or some scenery.
Bhangra : Bhangra is one of the very famous and world-renowned music that shipped away from Mumbai to world trade centres. As Bhangra richly involved dance movements, it attracted several people easily than that of the other folk music. Lavani : This is one of the best Marathi folk music ever. The female singer usually sings it in accordance to express her happiness. This might sometimes be sung by male, but for tradition, it is always female singers.
Dandiya: Dandiya is another famous music that is dance-oriented. This has also very well spread all over the world. Dandiya dance is very famous with the stick with which they dance. On the day before dancing Dandiya, they would decorate all their sticks with colour bands and then start dancing with lights flashing different colours after reflecting from the sticks.
Marathi music extends much more than the above-mentioned list. All of them have their origin in the rural India. Rural women and men sing out of their joy and sorrow to avoid their concentration on the work they do. They believe that they might forget the work stress and indulge in signing group songs. It is true that Marathi folk music have proved wonderful for all people. There are three great characteristics of the Marathi music , live music, nimble lyrics and versatility of its mixture with tradition.
The soul-stirring music and the heart-striking lines have merged to give a stunning performance in ears. Marathi music is for entertainment, spirituality and for peace. Like all other arts, Marathi music also came through several stages of development.
During the initial times, the music is all folk songs as there were limited knowledge about music and latest musical instruments were absent. Hence with only the basic music instruments basic Marathi music was focused on lyrics and limited music. However, later different genres were developed with different new sounds producing musical instruments. Your current city: Mumbai Mumbai search close. All Bombay Times print stories are available on.
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